We are always proud to showcase the talents and achievements of our art instructors. Paula has been teaching at Swinton's for six years now, and in this time has honed her skills, in teaching and in her art, to great heights.
Follow her painting process in the latest of her articles published in Leisure Painter Magazine (August 2014), where she outlines how to achieve the illusion of depth, what colours to use for skin tones, how to attain glowing colours by glazing and create visual interest by building up areas of detail.
Enjoy the demonstration and don't forget to leave a comment below. Paula loves the attention :)
Painting rainy scenes takes a bit of skill but the potential for a great painting is worth the effort. Here is why.
Just before a long stretch of rain, the atmosphere builds up with a momentum of activity that has clouds gathering, dancing, swirling and pushing up against each other, jockeying for position. The heat from the earth rises and the cool air falls, precipitating chaos in the sky. When the rain breaks out, the cloud formations can be jaw-dropping. Giant puffers bubbling up and disappearing as fast as they are born. Perfect for sky motive paintings.
My youngest son is a genius. He asked me, “Dad, how come you are having a sale in the store, and while trying to sell more paint you write about painting with fewer colours?”
Using less colours means you are spending less money but you will paint more when you see the results. The goal of a limited palette is to gain more control and get rid of the frustration and confusion. You can always expand your repertoire once you learn to paint efficiently.
Framing doesn’t have to be expensive to look good. There are many options for making frames look fantastic without spending a lot of money. Below is a list of 10 things to consider while making decisions about how and why to frame your work.
During these short winter days here in Canada, there is one thing we have a lot of: night. Oddly, not a lot of artists paint nocturnal paintings. I learned to paint nocturne's from artist Harold Lyon, for whom night scenes have been a significant subject for more than four decades. Regardless if you're painting a landscape, a western cowboy and horses, or a romantic scene of lovers under the stars, the reflected light from the sun, bouncing off the moon and illuminating our nights creates an alluring image... Here are some of the things I know about painting moonlit scenes:
Product review of the only synthetic bristle brush suitable for oil painting. A better, longer lasting bristle brush that cooperates better than natural bristle across a broad range of mediums. Modeled on the look and feel of hog bristle, series 6300 is a perfect brush for painters switching from oils to acrylic or water miscible oil. A real workhorse in even heavy bodied acrylics and suitable for use with gels and impasto mediums. Oil painters are catching on to 6300, realizing that it wears much better than natural bristle.
Bird Holes (sometime known as sky holes) are very important in painting trees. When painted properly, they give a landscape that realistic airy three dimensional look. Here are some pointers on how to paint them properly.
Drawing. That simple art exercise that eludes some artists and yet elates others. I can’t tell you how often I am asked if one needs drawing skills to be able to paint. The fact of the matter is, artists able to paint correctly, with no drawing skills what so ever are few and far between. It takes a vast amount of skill and dexterity to be able to paint what you see and juxtapose colour upon colour, stroke next to stroke, without having any drawing ability whatsoever.
In comparison, the music world has many musicians who cannot read a stitch of sheet music and learn by ear. The incomparable Johnny Cash very deftly did this, writing and performing his songs without the ability to read musical notes. Tablature, a form of reading music without notes, was created out of the fact that many musicians couldn’t read music. Similarly, one doesn’t have to be able to draw to be able to paint, or for that matter, one doesn’t need to be able to draw well in order to paint a painting. But here’s the snag…