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Great for all wet techniques. Pleasure to use.
Fantastic and interresting alternative to traditional watercolour paper.
Exquisite paper traditionally made and endorsed by the Royal Watercolour Society.
Produces the brightest watercolour paintings. Will not warp, wave or cockle.
Ready for oil painting! No prepapration necessary. Perfect for travel and unique techniques.
The world’s most famous pastel paper is renowned for it's unsurpassed quality and texture.
Virtually no detectable surface texture!
140lb Medium. Exquisite paper, endorsed by the Royal Watercolour Society.
The most widely recognized name in imported watercolor paper.
All-Media 50 sheets or Field book of 20 watercolour sheets proportioned for your landscapes.
MultiMedia pads great for sketching and colour studies.
Great paper for: Graphite pencil, coloured pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage.
Suitable for pencil, charcoal, ink, acrylics, pastels and oil pastels, water colour pencils, watercolour, tempera and paste ups.
These blank cards make it easy for artists to express themselves in a small format and exchange or share their creations.
10, 50 and 100 packs. Create and send unique, hand decorated greetings!
For light and dark media. Warm Tan and Cool Gray. Excellent for graphite, chalk, charcoal, sketching stick, markers, china markers, colored pencils, pens and more.
Unique surface texture allows for many creative possibilities and layering of pigments. Pastels, charcoal, crayons, & acrylic perform beautifully.
Suggested Applications: Screen Printing, Offset Litho, Block Printing, Letterpress, Drawing, Laser Printing, Photocopying, Calligraphy, Bookbinding, Endleaf and Covers.
Lighter weight than Mi-Teintes, with a "laid" finish for pastel, pencil, or charcoal. Great for bookbinding.
Classic French paper has a vellum-like texture on one side and a flat surface on the reverse. Lightfast
Ideal for all sorts of uses. Excellent for printing. 100% Rag. Acid-Free.
Student grade. Great for schools. 22x30
Elegant and hardworking paper perfect for limited edition prints. Somerset is a world leading traditional printmaking paper. High archival standards.
Exquisite Saunders Waterford watercolour paper glued together by the edges. Great in studio, outdoors or on travel.
For drawing, calligraphy, block-printing, sumi and watercolors.
Manilla paper pad is creamy yellow, light weight paper for all dry media. The creamy colour makes this paper great for conte and or pastel as well as graphite.
Cartridge paper pad is white drawing paper with a slight tooth. It is an affordable choice for students, schools and artists. Great for charcoal, graphite stick sketches, markers, and more.
10, 50 and 100 packs.
Make your own cards!
3 sheets of 140lb Cold Press. Professional, highest quality 3-pack. Natural gelatin sizing. Consistant and durable.
PERFECT SURFACE The ultimate choice for watercolor, gouache or ink washes, Arches Watercolor Art Boards offer natural white, mould-made French watercolor paper in 90 lb. cold pressed, hot pressed and rough surface. 32x40
Perfect for sharing your vacation. 10/pad, ready for your personal stamp of love.
Sturdy. Convenient. High quality, 140lb Cold Pressed watercolour paper ready for your trip.
Classic white natural sheet.
Popular printmaking paper made in France. Smooth and absorbant.
Smooth or medium surface perfect for for dry mediums.
Medium texture, ideal for both broad and fine-point media. Good all-purpose paper.
Inexpensive. Perfect for students or experimenting.
For craft, drawing and cards.
Application - Pen & Ink. Archival quality for calligraphy.
Economical, bright white bristol paper used for drawing.
Economical paper used for drawing in charcoal. Good drag and erasability.
Economical drawing paper.
Transparent. Resistant to scraping and repeated erasing.
White with slight tooth.
For inkjet printing or drawing with graphite. Also good for painting.
Milky white and translucent.
Similar to carbon paper, graphite paper transfers images onto almost any surface but can be easily erased.
Commonly used by students and artists for graphite, charcoal, ink, conte, tempera and light washes. Inexpensive.
Smooth surface for smooth sailing.
Rough texture for rough sketching. Smooth texture for being groovy.
Semi-transparent, resembling Japanese papers in structure and appearance.
Calgary, Alberta, CanadaT2H 0W5
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