M. Graham Oil Paint
Graham oil paint is the most beautiful and easily worked colour produced today. Each colour is created slowly, one at a time, to offer clarity, depth, richness and permanence without peer. Crafted only from artists' pigments, free from extenders or adulterants and dispersed in pure non-yellowing American walnut oil these colours provide a distinctive and traditional value. Completely permanent, intermixable and compatible with all other oils, varnish and mediums including alkyd resin products.
Preferred by professional artists for over five centuries...
Calgary's best paint value. "These paints are the smoothest paints I've ever used."
Oil color ground in walnut oil provides rich, vibrant color with greater freedom of control over all types of painting application. Free flowing and slower drying, walnut oil enables delicate passages of finely blended color, rich jewel-like glazes or juicy full brush application with no addition of solvents. Because of walnut oil's unique refractive index and non-yellowing nature, colors ground in this fine oil are naturally more alive and brilliant. They retain their clarity and are free from the discoloration associated with other drying oils.
NEW: 25 more reasons to fall in love with M. Graham...
Artist and master paintmaker Art Graham put years of experience at other companies behind him and started his own business based on his own vision and values. The result is a paint, manufactured without fillers or additives, that goes back to some of oil painting's finest traditions.
Graham creates fine artist oils in small batches, using his knowledge to bring out the finest color from each pigment! Each color is rich and saturated, with the highest possible mass tone and tinting strength. Most colors are based on a single pigment.
Art Graham took his new colors back to the roots of oil painting in Italy and Flanders by using walnut oil as a binder. Walnut oil has been used interchangeably with linseed oil for over a thousand years. It flows more freely, and has less tendency to crack or yellow. Today it is known that Renaissance masters such as Da Vinci and Dürer generally favored walnut oil over linseed oil.