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Bobbi Dunlop

Monthly Art Instruction For Adults

Oil and Acrylic are mediums welcome in my classes.

Ultimately, painting is about life and how uniquely one sees it. It’s about “the pursuit of knowledge” … not about technique or formulas. I believe that it is about beauty and when one looks for beauty, it will be clearly observed. Each time I begin a new painting, I look for innate beauty.

“Processes” have always fascinated me … how they intrinsically connect my work. As I have matured as an artist, this idea has become increasingly more important: the quality of the surfaces I choose to paint on, often hand-made; the lovely marks my brushes make; the luscious quality of the paint as I sculpt with my brush. All of these are processes that connect me more deeply to my work and bring a joy to my daily practice of painting.

Bobbi Dunlop's Profile Picture.

Adult Class Times:

Saturdays 10:00 - 1:00 pm

Sign Up Online or Over The Phone!

A passion of pursuing painting has channelled Bobbi Dunlop's unique inner vision, experience and life wisdom into an avenue for expressing her truest reactions on canvas. Challenge, personal growth, the pursuit of greater knowledge and especially, the Glory of her Creator, have always been the main drivers of Bobbi's work.

In a traditional approach which draws upon many years of experience, Dunlop paints from life when possible. The subject could be spontaneous and often simple. She approaches each painting on its own merit and not by formula but based upon her innate response to her subject and how she sees it.

This sensitivity and pure joy of painting, regardless of subject, results in a beautiful synergy, often evoking a symbolic meaning or undertone. Always, the intent is to consider the aesthetic quality of the painting and to honour beauty in its message.

A passion of pursuing painting has channelled Bobbi Dunlop's unique inner vision, experience and life wisdom into an avenue for expressing her truest reactions on canvas. Challenge, personal growth, the pursuit of greater knowledge and especially, the Glory of her Creator, have always been the main drivers of Bobbi's work.

In a traditional approach which draws upon many years of experience, Dunlop paints from life when possible. The subject could be spontaneous and often simple. She approaches each painting on its own merit and not by formula but based upon her innate response to her subject and how she sees it.

This sensitivity and pure joy of painting, regardless of subject, results in a beautiful synergy, often evoking a symbolic meaning or undertone. Always, the intent is to consider the aesthetic quality of the painting and to honour beauty in its message.

Dunlop began her foray into teaching in 1994 and matured that side of her artist life to become a much in demand instructor. She has taken her classes online where she mentors with Mastrius and in-person with Atelier Artista and Swinton's Art Supplies. She resides in Calgary, where she paints from life, surrounded by memorabilia and works-in- progress. Dunlop's work is enjoyed in numerous corporate and private collections in Canada, the U.S. and the UK. Her work is represented by Bluerock Gallery.

Bobbi Dunlop's Artwork

Floral painting of mixed flowers in a vase.

Artist Statement

Childhood art creation opened a world that I happily took on as my personal identity. My parents lovingly encouraged my early efforts. Then it was my husband and children who supported and cheered my every advance. Each chapter of my life has brought renewed and abundant painterly richness for me as an artist.



At times we are fortunate enough to have a profound influence come into our lives at pivotal moments. For me, that authority was the masterful American artist, David A. Leffel whose philosophy about art and life has been a significant force in my artistic journey. Leffel’s profound words, “you learn about life as you learn to paint and you learn to paint as you learn about life” have long resonated with me.

Let's Find an Art Class for You

  • Do I need to have previous artistic experience?
    No. Our classes are designed for beginners, through to intermediate and advanced students. While weekly classes have up to a maximum of 10 students per studio, the instructor circulates from student to student, catering their instruction to suit each student's individual needs. The student receives a private lesson within a group setting. Each student has their own drawing table and easel, and may work with any medium, subject matter and style of their choosing, at their own pace. Students discuss with their instructor what they would like to achieve, and the instructor will work with the student to reach those goals.
  • What if I can't make all the classes in a month?
    Answer: Students register for the weekly classes by paying month to month. Due to the long wait lists for classes, and limited spots to keep the class sizes small, Swinton's cannot prorate classes, or hold spots without payment. In order to secure a spot in a class, students must pay for every class running in that particular month, whether they attend every class or not. Of course we understand that scheduling conflicts arise from time to time, and instructors who teach a number of classes per week will try to be accommodating by offering a student a make up class should they need to miss one occasionally. The student must arrange this with their instructor by giving as much notice as possible about an upcoming absence, and if the instructor has space in another class a make-up may be arranged. Make-ups are not a guarantee, and are up to the discretion of the student's instructor.
  • Can I change mediums and try another kind of paint?
    Answer: Absolutely! Each of Swinton's instructors are trained in all mediums, (drawing, acrylics, watercolour and oil), and can assist the student in making the transition from one medium to another from suggesting what materials to start with, to introductory projects. While instructors are fluent in all mediums, some classes do tend to lean toward one medium or another, for example: all students in a particular class may be using oils. Even though students receive individual instruction, it is beneficial to be placed in a class with students using like mediums as the student can use information the instructor shares with other students if they should find this helpful. Swinton's will ask students at registration what style and medium they are wanting to work with, and place them in a class which is the best match for the student. However, many times students may not know what medium they are wanting to start with, or are hesitant to invest in new supplies when switching mediums before they have tried it. A great option for students wanting to 'test before they invest' are the Sampler Classes offered at Swinton's. There are Sampler Classes for each Drawing, Oil, Acrylic and Watercolour, which run for one 3 hour class - all materials included.
  • I work shift-work - Can I come to other time slots?
    Answer: Due to each student registering and securing a spot on a specific day and time which they come weekly, Swinton's instructors are not able to accommodate drop-ins, and students are not able to change the time which they come for class throughout the month, as there simply not enough spots open to do so. Again, if a student needs to miss a class due to work on occasion, they may give their instructor notice of the upcoming absence and may be offered a make-up class.
  • Can I take more than one class?
    Yes! There are a number of students at Swinton's registered in more than one class, whether to obtain more frequent instruction, or because they just can't get enough of painting! Not only may students register for more than one weekly class, but often students will have a spot in a weekly class, and then take a workshop that runs for a set period of time. Aside from frequent workshops that concentrate on a variety of themes, from specific mediums or subject matter, to the business side of making art, there are also Friday evening demos, plein air painting groups as well as special product demonstrations. Workshops may be from one day to a number of weeks in length, and students are welcome to sign up for as many as they like along side their regular class.
  • I'm leaving on holidays. How do I keep my spot?
    As long as a student pays for their spot while they are absent, it will not be given away. Let the instructor know in advance that you will be gone and for how long, so that they may accommodate other students who may need make-ups. Another option, is to let your instructor know that you would like to lend your spot to a friend or other student interested in extra classes. Any financial arrangements made between the student and the person using their spot while away is not the responsibility of either the instructor, or Swinton's. It is the responsibility of the primary student to register and pay for their spot in order to keep it while absent.
  • What materials should I have?
    Students should have at least basic drawing materials for their first day of class. This includes; a variety of pencils, (2H, HB, 4B, for example), a sketchbook, eraser, and sharpener. If the student knows they would like to start painting immediately, they should bring whatever materials they have. If needing all new materials, the student may come to their first class a few minutes early and their instructor will take them through what they need to start with. All Swinton's staff are trained artists and / or instructors and will be more than happy to assist the student with everything they need. It is especially important that children and teen students have all the materials they need for their class, as instructors do not have materials available in the studios. An option that many parents find convenient is to purchase a gift certificate for their child for those times that perhaps a pencil or eraser is forgotten. This way the student can get what they need to have a successful class without having to carry money around. All students receive 10% off of supplies purchased at Swinton's. Please note; materials may not be taken from the store for use in the studio without payment, or throughout class and paid for at the end. There are simply too many students and products for our staff to keep track of. This includes books and magazines!
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